Cut to the beat
Music videos, artist content and DJ sets, filmed and edited by someone who plays music as well as films it. Every cut lands where the drop does.
I don't just edit to music. I play it.
When I'm not behind the camera I'm behind the decks, so I hear where the cut should go before I make it. That's the difference in a music video: timing that feels right, not just footage laid over a track.
- Side A · Artists
- A1Red light night shootSlim Z
- A2Car park sessionDre Six
- A3Miami SznSlim Z · music video
- Side B · Behind the decks
- B1Dag x MiddoBack-to-back set
- B2The White SwanLive
Red light, no rules.
A night shoot with Slim Z, April 2026: a field after dark, a red drape hat, red light and a lot of attitude. Shot vertical and widescreen so the visuals work everywhere the track goes.
- ArtistSlim Z
- ShotNight, red light
- WhenApril 2026
Concrete, a mic and a verse.
A performance shoot with Dre Six: an empty car park, a single hanging mic and a camera that moves with the bars. Raw, vertical and built for Instagram and TikTok, where new music gets found.
- ArtistDre Six
- FormatShort-form, vertical
- WhenJanuary 2026
Two decks, one camera.
Dag x Middo, August 2026: a back-to-back set filmed in 4K from start to finish, ready for YouTube, with the best moments cut into clips. Plus RNTECH nights under the neon, where the booth is the stage.
- SetsDag x Middo · RNTECH
- Shot4K, full set
- DeliveredFull set & clips
Hands up at the Swan.
A packed room at The White Swan, filmed from behind the decks while I'm playing. The crowd, the lights and the jog wheel up close: the view nobody else gets.
- VenueThe White Swan
- ShotFrom the booth
- WhenEarly 2026
Music videos
Finished music videos and artist content. Tap one to watch.
Your release, on repeat.
Send me the track, the vibe and the date it drops, and I'll come back with ideas for the shoot and a quote.